Kateryna Suprun and her “Mriya”. The opinion of musicians about sovereignty
An interview with violist Kateryna Suprun about the “Mriya” project...
Graham McKenzie: “hcmf is made of change”
The UK’s largest international festival of new and experimental music,...
Oleksii Shmurak: “In music I like paradoxicality, fragility, multilayeredness”
Ukrainian contemporary music can be looked at different angles. Its...
Musicologist Leah Batstone about the Ukrainian Contemporary Music Festival and the Notes from Ukraine
December 4th, 2022, is a significant date for Ukrainian musical...
Listening to contemporary Ukrainian music: “Air mechanics” by Alla Zagaykevych
Kyiv. The creation of an original musical world with contemporary...
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May 15 Mykola Lysenko Column Hall hosted the first online translation concert for the National Philharmonic during the pandemic in...
Dmytro Choni’s debut album: Psalm of Reflections
In May the world’s leading classical music label Naxos released the first CD of Ukrainian pianist Dmytro Choni, the winner...
Chronicles of the online concert with Antonii Baryshevskyi
Chronicle one Technology against art ̶B̶r̶i̶t̶i̶s̶h̶ ̶s̶c̶i̶e̶n̶t̶i̶s̶t̶s̶ Standup comedians claim that the best monologue is possible when the author is...
17-year-old violinist Bohdan Luts makes his debut on Golka Records
The independent Ukrainian label Golka Records has released the digital version of the two sonata pieces by Johann Sebastian Bach for Violin Solo No.1, BWV 1001, and No.2, BWV 1003,...
Seventh Days of Ukrainian Music in Warsaw. Dialogue on High Cultural Levels
Although the world has entered a new era with a bunch of dangers and restrictions, where people are increasingly moving away to the depths of the virtuality dimension, Ukrainian cultural...
Kateryna Suprun and her “Mriya”. The opinion of musicians about sovereignty
An interview with violist Kateryna Suprun about the “Mriya” project in Berlin, music after February 24, performance and management, dreams and even greater hopes. This is an attempt to capture...
