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20.06.2025
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The Claquers
 
Група музичних журналістів, яка провокує критичний погляд на класичну музику в Україні й не лише
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    The Claquers
     
    Група музичних журналістів, яка провокує критичний погляд на класичну музику в Україні й не лише
    • Search
    • Ukraine flag
    • Ukraine flag

    The Claquers

    About the Author

    The Claquers is a Ukrainian online magazine devoted to classical music that unites a group of music critics with the mission to foster a critical conversation about art music in Ukraine and beyond. The Claquers organization was founded in June 2020 by musicologist Stas Nevmerzhytskyi and three colleagues: musicologist Dzvenyslava Safian, music theorist Liza Sirenko, and cultural critic Oleksandr Ostrovskyi.

    The publication’s provocative name suggests the context in which The Claquers was conceived. After two previous generations of proactive critics who had careers in education and cultural promotion, classical music criticism was limited to either positive reviews or no reviews at all. A fresh and uncensored eye on events in classical music life in Ukraine was needed to shake up the musical community and complete the country’s classical music ecosystem.

    Unlike in western Europe and North America, art music audiences in Ukraine are much younger. The collective of writers with The Claquers is also young, and has taken on the task of explaining to these new listeners why a long tradition of classical music in Ukraine exists, and how it became a part of today’s cultural life. As a group The Claquers considers its main goals: to educate about contemporary classical Ukrainian music, to build bridges with popular culture by publishing about diverse musical genres and other arts (such as music in literature or in film), to expand the critical tools of music criticism with audio podcasts, and to cultivate audiences abroad via an English version of the website.

    The Claquers was made possible by generous funding that enabled its establishment and is sustained by the generosity of donors on Patreon. This singular and engaged Ukrainian online hub devoted to classical music continues to engage people in this music and invite new authors.

    Stas Nevmerzhytskyi (ФОП Станіслав Невмержицький), individual proprietor

    The registration number of the taxpayer's registration card, or the series and number of the passport:
    3376417436

    Location of a individual proprietor:
    Ukraine, 04212, Kyiv city, TYMOSHENKA STREET, building 2K, room 302
    B

    Date and number of entry in the Unified State Register of Legal Entities, individual proprietor and public organizations:
    10/16/2020, 2000690010002052048

    IBAN
    UA153052990000026006036800851

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    Conductor and Cellist Jörg Zwicker: On Early Music, Mental Coaching, and Supporting Ukraine

    by The ClaquersStories29.05.202529.05.2025

    In April, Kyiv hosted a powerful performance of Johann Sebastian Bach’s Easter Oratorio and Magnificat — an event that brought together Ukraine’s performing and listening communities around music as a…

    “Letters and Notes”: Hrabovsky’s Music at the Ukrainian Contemporary Music Festival

    by The ClaquersStories10.03.202510.03.2025

    On January 28, Ukrainian composer Leonid Hrabovsky celebrated his 90th birthday. Today, his works are performed both in Ukraine and abroad, including in the United States, where he has lived…

    Playlist: Classical Music Grammy Nominees and Winners 2025

    by The ClaquersNews07.02.202507.02.2025

    The 67th Grammy Awards ceremony, held on Monday, February 3, took place amid a natural hazard. Reflecting on Covid-19, feminist protests, and the “American Dream”: the winning works in Classical…

    “We Challenge the War, We Play for Ukraine” — German Cellist Raphaela Gromes

    by The ClaquersStories02.02.202525.02.2025

    In the last days of November 2024, the National Symphony Orchestra of Ukraine and German cellist Raphaela Gromes completed a major joint tour of the most famous concert halls, including…

    Uncovering the Mysteries of Early Ukrainian Monodies: the Byzantine Slavonic Project

    by The ClaquersStories17.01.202525.02.2025

      Partner material What music did Ukrainians create and perform five, six, or seven centuries ago? Ukrainian folk music comes to mind first since it was richly represented in our…

    Vasyl Barvinsky: A Composer Without Boundaries

    by The ClaquersStories07.01.202525.02.2025

    Imagine a renowned European composer of the 20th century, suddenly banned from creating or even living in his homeland. His friends are forced to renounce and betray him, he is…

    Why should people attend this concert? A Conversation with Thomas Bruns, a German producer and co-founder of Ensemble KNM Berlin

    by The ClaquersStories19.11.202425.02.2025

    Thomas Bruns`s creative vision has given life to over 1,000 concerts, projects, and opera productions in collaborating with Berlin’s most esteemed cultural institutions. He initiated co-operations between the various actors…

    Discovered Works by Ukrainian Canonical Composers of the 18th Century: Music, Language, and History

    by The ClaquersStories26.09.202425.02.2025

      Partner material On September 14, the central event of the Berezovsky/Rachynsky: New Soundscapes project took place at the Uspenskyi sobor of the Kyiv Pechersk Lavra [the Dormition Cathedral of…

    Composer Commissions by the INSO-Lviv Orchestra. How Does this Industry Work in Ukraine?

    by The ClaquersStories02.08.202425.02.2025

      Partner material For the second concert season in a row, the INSO-Lviv Symphony Orchestra has commissioned works written by Ukrainian composers. The orchestra’s management decided that four to five…

    What Does This Thing That We Call Music Do to Us? A Conversation with the American Musicologist Professor Peter J. Schmelz

    by The ClaquersStories12.07.202425.02.2025

    Peter J. Schmelz is a Professor in the Department of Comparative Thought and Literature at Johns Hopkins University specializing in 20th and 21st-century music. His primary interests lie in Soviet…

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