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14.12.2025
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The Claquers
 
Група музичних журналістів, яка провокує критичний погляд на класичну музику в Україні й не лише
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    The Claquers
     
    Група музичних журналістів, яка провокує критичний погляд на класичну музику в Україні й не лише
    • Search
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    Stories

    A Long Conversation with Conductor Ivan Cherednichenko on the Premiere of Dialogues des Carmélites at the Lviv National Opera

    by Oleksandr OstrovskyiStories16.06.202416.06.2024

    On June 15 and 16 the Lviv National Opera will premier Francis Poulenc’s opera Dialogues des Carmélites, the first production of this work on a Ukrainian opera stage. We spoke…

    Lviv Chamber Fest. Nine Views Through the Dzerkalo

    by Polina KordovskaReviewsStories08.06.202407.11.2025

    “Festive,” “cheerful,” “joyful” … Definitions offered by etymological dictionaries for the Latin word festivus are indescribably far from what Ukrainians are experiencing today. What kind of festivals can we talk…

    Milan Kundera: An Unbearably Easy Philosopher of Music

    by Tetiana NovytskaStories25.05.202430.05.2024

    Milan Kundera (1929-2023) was one of the most prominent writers of the second half of the twentieth and early twenty-first centuries, an author who spoke with unbearable ease about Immortality,…

    Джон Адамс

    On the Transmigration of Souls by John Adams as a “Memory Space” in Music

    by The ClaquersStories24.04.202425.04.2024

    The creator of the concept of “memory space” is the French historian Pierre Nora. In his Les Lieux de mémoire, he defines «memory spaces» as spiritual and material symbolic objects…

    Cellist and Composer Zoltan Almashi: Ethical Issues are More Important than Music and Art

    by Mariia DovhunStories07.04.202408.04.2024

    Zoltan Almashi is widely known and one of the most accomplished Ukrainian cello players. On stage, he seems very focused and serious, but at the same time, he is a…

    Ukrainian Musicians in Russian Captivity

    by Tetiana NovytskaStories10.03.202405.04.2024

    Since the spring of 2022, musicians from military bands stationed in Mariupol and the Ukrainian military who defended Mariupol from the Russian invasion have been held captive in Russia. Three…

    Sagardía

    Everybody Who “Destroys” a Wall With Graffiti Has to Be Supported: A Conversation with Sagardía, German Composer

    by The ClaquersStories03.03.202428.03.2024

    Sagardía, a composer based in Berlin, is known for his multifaceted artistic experiences ranging from musical and theatrical performances to film scores, chamber experimental compositions, and popular music. In this…

    Is Performer a Digger with a Shovel?: A Conversation with Danish Accordionist Andreas Borregaard

    by The ClaquersStories24.01.202410.04.2025

    Nestled in the quaint town of Huddersfield in northern England, the Huddersfield Contemporary Music Festival (hcmf//) stands as the preeminent multi-year, international celebration of new and experimental music in Great…

    Oleksandr Kozarenko. A Pierrot Lunaire of Ukrainian Music

    by The ClaquersStories07.01.2024

    Oleksandr Kozarenko had a charismatic personality. He was incredibly gifted as a musician and a thinker. He was endowed with a depth of feelings, fast reactions, and a sense of…

    Opening Unexpected Perspectives: An Interview with Leonid Hrabovsky

    by Tetiana NovytskaStories27.12.2023

    Leonid Hrabovsky’s music style evolution shows a constant development and exploration of new and unknown elements. He began with a neo-folkloristic opus in the late 1950s and was among the…

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    The Claquers – A group of music journalists who instigate a critical view of classic music in Ukraine and beyond

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