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04.02.2023
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The Claquers
 
Група музичних журналістів, яка провокує критичний погляд на класичну музику в Україні й не лише
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    The Claquers
     
    Група музичних журналістів, яка провокує критичний погляд на класичну музику в Україні й не лише
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    Stories

    Virlana Tkacz about American theater, Ukrainian jazz and cultural diplomacy during the war

    by The ClaquersStories18.08.202223.08.2022

    Virlana Tkacz is an American theater director with Ukrainian roots, poet, translator, theater expert. She creates a worthy artistic image of Ukraine “on the other side of the ocean”. Virlyana…

    Latvian composer Peteris Vasks: “Our most popular piece is the National Anthem of Ukraine”

    by Mariia TytovaStories27.07.202207.08.2022

    After the start of the full-scale invasion of Russia into Ukraine, is it possible to talk about anything other than war? Yes, now we especially often talk about culture, freedom,…

    Christian Filips: Sing-Akademie zu Berlin, Bach archive and Ukrainian music

    by The ClaquersStories27.07.202201.08.2022

    For 15 years, Christian Filips, the artistic director of The Sing-Akademie zu Berlin, is in charge of programming and management. The Sing-Akademie has three heads: two choir conductors and Christian,…

    Timothy Hoft and Virko Baley: pre-concert talk on Ukrainian contemporary piano music

    by Dzvenyslava SafianNewsStories18.07.202219.07.2022

    Virko Baley, a famous Ukrainian-American composer, and Timothy Hoft, a remarkable American pianist, are presenting the concert that’s going to take place at the Peabody School of Music in Baltimore…

    “Lullaby for Mariupol” through the creators’ and participants’ eyes

    by Dzvenyslava SafianStories07.06.2022

    The performances of the Ukrainian ensemble “Opera aperta” took place on May 18 and 22 in Vienna and Rotterdam. Charity concerts were dedicated to all victims of the Russian-Ukrainian war….

    Meeting with the Ukrainian Contemporary Music Community: what is the role of art in the war?

    by Dzvenyslava SafianStories28.05.202229.05.2022

    On May, 6, a joint web talk on the current situation of artists in the field of contemporary music in Ukraine occurred. It was organized by Initiative Neue Musik Berlin…

    Listening to contemporary Ukrainian music: Leonid Hrabovskyi’s Trio

    by The ClaquersStories15.05.202230.11.2022

    Leonid Hrabovskyi’s creative path began in the 1950-1960s, which was a favourable period in the history of Ukrainian culture when the suffocating atmosphere of the socialist realist aesthetics was disrupted…

    Violinist Anastasia Poludenna: “Until we undergo treatment, we are allergic to Russian culture”

    by Oleksandr OstrovskyiStories23.04.2022

    Anastasia Poludenna is a violinist, graduate student of the Department of Theory and History of Culture of the National Music Academy of Ukraine. In addition, Nastya is my classmate. In…

    Music and imperial ideology (Glinka’s case)

    by The ClaquersStories15.04.2022

    In 1836, seventeen Europe’s new operas have premiered: seven in Paris, three in Naples, two in London and one in each: Venice, Leipzig, Vienna, Magdeburg and St. Petersburg [22]. Only…

    Statement from the musicological community of Ukraine

    by The ClaquersStories05.04.202208.04.2022

    Culture has always been an integral part of society, along with economics and politics. Cultural heritage is an important instrument of domestic and foreign cultural policy of the state, expressed…

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    The Claquers – A group of music journalists who instigate a critical view of classic music in Ukraine and beyond

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